You’ve very badly damaged the movie by doing this.

Quote: David Denby

“The Girl with the Dragon Tattoo”
You can’t take your eyes off Rooney Mara as the notorious Lisbeth Salander, in the American movie version of Stieg Larsson’s “The Girl with the Dragon Tattoo” (opening December 21st). Slender, sheathed in black leather, with short ebony hair standing up in a tuft, her fingers poking out of black woollen gloves as they skitter across a laptop keyboard, Mara (who played Mark Zuckerberg’s girlfriend at the beginning of “The Social Network”) cuts through scene after scene like a swift, dark blade. Salander is a twenty-four-year-old hacker with many piercings, of herself and of others. She’s both antisocial and intensely sexual—vulnerable and often abused but overequipped to take revenge. She lives in an aura of violence. Salander obviously accounts for a big part of the success of Larsson’s crime novels—both men and women are turned on by her—and Mara makes every scene that she appears in jump. She strips off and climbs right onto Daniel Craig, as Mikael Blomkvist, the investigative journalist who takes Salander on as a partner, and whom she makes her lover. Craig looks a little surprised. In this movie, he is modest, quiet, even
...

The movie zips ahead, in short, spiky scenes punctuated by skillfully edited montages of digitized photographs and newspaper articles. David Fincher, who directed the picture (working with Steven Zaillian’s screenplay), moves at a much faster pace than he did in “Zodiac,” his 2007 movie about a murder investigation. In “Zodiac,” every time a piece of evidence trembles into view, it quickly recedes again. That movie is an expression of philosophical despair: the truth can never be known. “Dragon Tattoo” says the opposite: it celebrates deduction, high-end detective work—what Edgar Allan Poe called “ratiocination.” Everything can be known if you look long and hard enough, especially if you have no scruples about hacking into people’s bank accounts, e-mails, and business records. Salander is a criminal, but she’s our criminal.
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New Yorker website

Quote: teddys

I don't see what the producer is so upset about. There is an unspoken rule that you publish the review the weekend the movie comes out, but editors are free to do whatever they want. If the producer didn't want it published so early, he should have held off on the press screenings.

Quote: pacomartin

I thought reviewers didn't matter that much anymore. The masses don't care, they respond to advertising. The intellectuals can presumably remember a good review for an extra week.

Quote: pacomartin

What is with violence in Scandinavian films (particularly Swedish)? For a country with almost no murders, they seem to love these ultra violent stories.